Note: The following article contains spoilers about “Squid Game.” Is the Netflix Korean sensation Squid Game an allegory for late capitalism? The response to the show is similar to medieval morality plays that attempted to hammer home the […]
The Intergovernmental Panel on Climate Change (IPCC)‘s sobering “code red for humanity” report comes on the heels of months of devastating weather events around the world. Our front pages have been dominated by photos that look as […]
“I need a change,” Aretha Franklin says at one point in “Respect,” the new film starring Jennifer Hudson as the Queen of Soul. “I want to sing what I want to sing.” For all her […]
The COVID-19 pandemic has changed everything, from how we work and shop to how we communicate and learn. Worryingly, governments have overtaken market forces in deciding economic winners and losers, with arts spaces ending up among the biggest losers despite well-documented evidence that the sector is […]
“Here are your handcuffs. Now, how would you like to wear them?” Each time I embark on a new low-budget independent film, this is the mantra that begins to play on a loop in my head. […]
Canada’s cultural institutions need hip hop communities now more than ever. I say this after working as a guest curator at one of Canada’s most significant art galleries — the McMichael Canadian Art Collection — […]
There are are relatively few female musicians in jazz. Recordings led by women formed only one-fifth of the top 50 albums NPR Music Jazz Critics Poll over 2017 to 2019, and this seems to be a […]
Described by some as “Europe’s biggest tech show”, the Berlin Radio Show has long been famous for exhibiting the next big thing in consumer electronics. In 1963, that was the compact audio cassette, introduced at […]
Sneakers (or trainers if you’re British), once the symbol of athleticism, have transcended their primary function to become commercial and fashionable objects of desire. From sportswear and street style to catwalk fashion, sneakers have made […]
Before COVID-19 shutdowns in March 2020, my drama students and I at Carleton University were scheduled to attend a live theatre production of Daisy, by playwright Sean Devine, that opened (and promptly closed) at the Great […]
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